![]() ![]() Gravity control to custom-tailor the reverb tail in two realms - normal or inverse decay.Reverb from Space Requires an iLok accountĬlassic Eventide reverb effect capable of producing huge spaces and out-of-this-world soundscapes!īlackhole is a massive reverberator that has evolved over the years by pulling in mass quantities of time and energy (of the development persuasion, of course).Map the EQ controls to an expression pedal to add movement to the reverb tail Use the tone controls to add airiness or clear up the low-end. Fine-tune your tone with Lo, Hi and Q (resonance) controls.Catch-up mode helps dial in your sound when toggling between presets/parameters.Multiple Bypass options: Buffered, Relay, DSP+FX or Kill dry.MIDI capability over TRS (use with a MIDI to TRS cable or converter box) or USB.Five presets loaded at your feet with dozens more available with Eventide Device Manager (EDM) software.Use a single Aux switch to Tap Tempo or a triple Aux switch for easy preset changing (up/down/load).Eventide Device Manager for PC and Mac included. ![]() Map any combination of parameters to an Expression Pedal.Rear panel Guitar/Line Level switch for selecting use with guitar, synths, FX loop or DAW interface.Dual action Active Footswitch is latching or momentary.Tap the Freeze Footswitch to instantly ‘freeze’ your sound.Turn up Feedback to go beyond the event horizon.Use Pre-Delay to offset the onset of the reverb.Control the Size of your space from a small room to a limitless universe.In the case of the Gravity, the secondary function is Delay, or more accurately Pre-Delay (0 – 2000ms), which is the time between the incoming signal and the onset of the Blackhole’s processing. I love using it on more experimental analog synths, like the Soma Labs Lyra8.” Pressing the down arrow button to the right of the top row of knows acts as Shift giving you access to each knob’s secondary parameter. “Gravity is where a lot of the Blackhole’s magic occurs,” noted one evaluator, “and moving it into the Inverse territory is where things can go beautifully wrong. Clockwise from the 12:00 o’clock Off Position is Normal decay, while counter-clockwise provides an Inverse decay. More accurately it acts like an envelope affecting the density and character of the reverb. The Gravity knob determines the amount of decay, allowing you to shape the reverb’s tail. Mix sets the degree of dry/wet signal to the output. On the top of the pedal, there are six knobs, two foot switches and three buttons. Let’s take a look at the Blackhole pedal’s controls. “It’s really dense, but it possesses a soft charisma that can enhance all the right qualities of your source material, if you have the patience to work your way through the parameters.” It’s these controls which set the Blackhole pedal apart from past products and allow you to “precisely shape and fine tune every part of the reverb,” observed one evaluator. Our reviewers pushed guitars, synthesizers, drum machines, drone machines, experimental acoustic instruments (Waterphone!) through the Blackhole and came away impressed. Many sound grainy, granulated and polluted, or worse, thin and tinny. What precisely makes the Blackhole reverb algorithm so special? It’s not easy to do big reverbs. “While this reverb is not for everyone, Eventide has captured what makes the Blackhole so special and adroitly translated it into a pedal with plenty of tricks up its sleeve.” For those who are unfamiliar with the Blackhole reverb, please note, this is not your typical, plate, small room, hall or even cathedral reverb, this is, as Eventide describes it, “otherworldly” and “an alternate dimension of ambience.” Our reviewers agreed. ![]()
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